Despite its tea-time slot, it exudes an off-putting nastiness, as if something unpleasant is lurking behind the net curtains. What's more, it appears to pay no thought to the fact that 1950s sexual politics and attitudes towards women now look pretty dated. But it doesn't quite succeed in turning its bright, stolen things into something fresh and illuminating a failure to reinvent its borrowings makes it feel derivative and a little tired. Making no disguise of the fact that it draws heavily on Hitchock's Rear Window and Psycho and the tales of Edgar Allen Poe, Ernest delights in its own magpie thieving. Clever, slick and with a sharp design that plays cleverly with perspective, this tale of obsession, madness and ghostly retribution drips atmosphere and blood. Ernest and the Pale Moon and The Vaudevillains, this collection includes production photos, reviews, design sketches and introductions to the plays.

And so it proves in this slice of mock gothic brought to us by the team behind the witty and charming 2007 fringe hit The Terrible Infants. PHOTO STE takes Sanderson to State Theatre Conference. This tale of isolation and loneliness examines the entitlement at the heart of. Ernest and the pale moon A TWISTED HORROR A TRAGIC LOVE STORY AN AWARD WINING PRODUCTION All work shown was designed, executed, edited by Hailey Brunson. Sandersons Theatre Ensemble is taking Ernest and the Pale Moon to NCTC this weekend. He calls it love and devotion we might see it as something more sinister. A horror story that combines the genius of Edgar Allan Poe and Alfred Hitchcock.

E rnest sits in his darkened room each night, watching the pale young woman in the apartment across the road.